SIRF Photo Coverage | Community Carnival to Fire Artists Cie Carabosse

I’m proud to live in Stockton and was delighted to be the North East commercial and PR photographer commissioned to cover SIRF, the Stockton International Riverside Festival this year.

Now in its 27th year, SIRF 2015 consisted of four days of circus, dance, music and street theatre, all designed to celebrate Stockton Council’s imaginative redevelopment of the town centre. Many of the eight events I covered took place around the stunning new water feature in the town’s central area, which is ideal for outdoor performances.

Arts events photography is a challenging job. It’s a big responsibility to capture the spirit and energy of an event, and use pictures to get across what the artist or company wants to convey.  

Many of the performances took place in the evenings so I was coping with different light conditions and working to bring detail into the pictures.  To add to the pressure I was working to tight deadlines, particularly in the evenings with a 9.20pm cut off for newspapers such as the Middlesbrough Gazette and Darlington Northern Echo, and had nine destinations to get the pictures over to, so there was not a moment to spare.

The SIRF Community Carnival used giant puppets and featured drummers, brass bands and dancers to tell the colourful story of how Stockton became a festival town. There were around 20 groups drawn from all sections of the community, travelling in a two-mile procession down Church Road to Stockton High Street before ending on Stockton Riverside so it was a big job to track them and make sure I didn’t miss any of the groups out.  

The festival proper was launched when the Instant Light circus troupe arrived in Stockton by boat. The troupe led the audience along the Riverside to see BoO, an astonishing trapeze show by French company CirkVOST who used hundreds of bamboo poles in their show. 

These are just a few of the performances I covered: Pelat by Joan Catala: described by its creators as ‘a proposal that erases the boundaries between dance, circus, theater, and performance’, this act involved the artist using a huge piece of wood the size of a telegraph pole. He danced around it, played with it and balanced on it, to gasps of admiration from the crowd. This was a real performance with elements of surprise, humour and even danger at every move, and the crowds loved it, particularly the finale, which saw him put his trust in the crowd as they supported the pole while he balanced on the end of it high in the air. 

451 by Periplum: this open air spectacular created by an immersive theatre company was a real feast for the senses. Depicting a scary world where books and free thinking are banned, it is inspired by Ray Bradbury’s 1953 dystopian novel Fahrenheit 451. Night time photography capturing huge ladders, smoke and flames plus some amazing pyrotechnics was all part of the challenge for me, and produced some stunning pictures.

Flycycle and Submercycle by Pif Paf: this performance was a great hit with the children, involving imaginative stories and special journeys to Dum Dum land on fantastical cycle-like constructions that the children could try out for themselves.

Love Struck by Ballet Lorent: another evening performance, this told the story of love and romance between John Walker, inventor of the friction match and the beautiful circus performer Vesta. It had the audience spellbound, and thanks to picnic chairs, rugs and refreshments everyone ignored the slight chill of the North East evening. 

French fire artists Cie Carabosse: this spectacle of fire, light and music took place in the garden around the disused Trinity church, where artists had transformed the space into a fire garden. I wasn’t the only person to be fascinated by the way lights had been arranged inside Tshirts and hung in the trees, and flaming plant pots hung inside an orb to create a dandelion clock effect. 

Although there was a lot of fire around, the area had been made totally safe so people could get up close and enjoy the spectacle.  I used a tripod camera and remote flash to light up the trees, and one of my favourite installations involved tangles of fine wire wool hung on chains and set alight. Great fun to photograph, these shots were well-used by local newspapers.

The street theatre, dance and music celebration that is SIRF has been called ‘The world’s best international festival of outdoor art’ by the Chief Executive of Arts Council England and I wouldn’t argue with that. Check out the website at www.sirf.co.uk to read more about the performances and see some of my pictures.

Yorkshire and North East Documentary Photographer | The Decisive Moment

There are as many styles of photography as there are photographers, and every professional photographer will adapt to meet the needs of the job, but my signature style is documentary photography.

This style records real moments – not staged or posed, just as they happen and without interference. It requires a totally different skill to the world of press, PR and corporate photography. Shooting a subject who is not looking straight at the camera or a situation where people are unaware of the photographer makes a shot more real and believable, especially if it’s taken from further away, to leave some space around the subject.

I like to use natural light wherever I can, using flash would be intrusive when photographing a conference or a bunch of school students engrossed in a science lesson or a boardroom business event. At most events like these I introduce myself, then fade into the background so eventually they forget me and my camera are even there. Over the last 25 years as a north east commercial photographer I’ve found that’s how to get shots of everyday happenings and turn them into pictures that are a breath of fresh air.

A recent commission to cover the Positively Stockton on Tees campaign was a great example of documentary photography and saw me covering street scenes, visiting schools, a bike rally, a bowling green and a care home. At the home I took pictures of residents chatting, concentrating on a game of bingo, and using a walking frame to move around the lounge. By moving back from the shot I was able to use the walking frame as my shot frame – a good example of how documentary photography is all about seeing things differently.  

My vantage point can be crucial. When I recorded the re-launch of Stockton High Street, which was a great honour, I perched on top of a tall building to get a good viewpoint of the theatre crowds and the 50-foot high man walking through the town. Going down on foot to mingle with the crowds worked well too, I was able to get close enough to photograph people enjoying all the activities plus children – and some adults – splashing about in the street fountain.  This is another example of documentary approach, where it doesn’t have to be about recording a specific occasion, and more about capturing reality as it happens.  

I work simply, carrying two cameras and a discreet set of lenses that are not big enough for people to notice. Not lugging lots of kit about means I am free to scan a room or an outdoor event, looking for a person who might be laughing, or engaged in conversation. By blanking out the background sound I can concentrate on images. I tend to switch things off in my head so I can focus on getting the perfect composition and frame, it’s like switching on a different mindset.

Documentary photography can be very exciting, for instance working backstage at a fashion show at MIMA in Middlesbrough, where pictures of the goodie bags were just as important in picking up the atmosphere of the event as those of the catwalk models.  

A lot of the magic happens when you ignore the obvious and instead look around, through, up, down, light, shade, different lens, slow shutter speed and even use reflections. At a job to cover the launch of the £7m restoration of Preston Park Museum and Grounds at Eaglescliffe in Stockton I photographed the drummers from behind rather than in front, so they form part of the picture rather than being the obvious main focus of attention. The colours together with the night sky gives an alien look to the picture, particularly with the moon fragment just visible.

Cartier Bresson, regarded as one of the finest documentary photographers the world has ever seen, is passionate about the style and his book ‘Decisive moment’ is referred to as a masterpiece. Even if you never pick up a camera, give this book a try, it’s full of wisdom. Bresson entreats photographers to engage with their subject, otherwise, he says, the emotion of the moment is lost.

He puts it far better than I could but in my own small way that’s what I’m aiming for too. If documentary photography is good enough for a photography legend, it’s good enough for me.

North East Press Photographer | Mackenzie Thorpe Middlesbrough Railway Posters

It was a pleasure to be invited to photograph the stunning work of local artist Mackenzie Thorpe’s at Middlesbrough Railway Station recently. He’s a world-renowned artist whose work has been shown in the US, Australia and Japan and sells for thousands of pounds and I’ve met him several times when I’ve been out on other Teesside commercial photography jobs.

Middlesbrough Council had invited the Middlesbrough-born artist to display two of his paintings at the railway station, and despite being busy preparing for a show in New York, he created a series of 15 pictures, 11 of which have been made into huge posters and displayed on the station platforms.

The theme was ‘Heart of the North’ and the posters celebrate some of the beauty spots and icons of Teesside and North Yorkshire. The posters reflect Middlesbrough’s heritage and include images of Saltburn, Seal Sands, Captain Cook’s Monument, the Transporter Bridge, Roseberry Topping and Middlesbrough Football Club.

We met at Boho One, the commercial flagship building for the DigitalCity project. Councillor Dave Budd (now Mayor of Middlesbrough) introduced Mackenzie and spoke about how the project had come about, and Mackenzie chatted to invited guests who were keen to hear more about his work.

Next it was on to the railway station to meet some of my old colleagues and friends from north east media outlets including the Northern Echo and Middlesbrough Gazette, plus the TV cameras, who were there to cover the event. 

The following day we went on to the Thirteen building, a light and airy gallery next to Middlesbrough Football Club, to see the full set of original paintings on display. A very down to earth artist who is passionate about the area, Mackenzie showed visitors around his artwork and took part in a question and answer session.

Thirteen is a lovely space, and as a fan of all things industrial my favourite painting was the image of Darlington Railway Station, which is almost monotone and has a dreamy quality that really appealed to me. The media choice that made the headlines over the next few days was an image of the Transporter Bridge with a big red heart in the centre adding the splash of colour that picture editors look for - a gift to photographers.  

As an ex-press staff photographer of many years I love a good headline, especially the Middlesbrough Gazette’s, which read: Mackenzie Thorpe finds new platform for work at Middlesbrough Railway Station.  If you’re travelling through the station, do keep an eye out for his work on Platforms 1 and 2.

North East Education Photographer | Teacher First magazine photography in Stockton on Tees

I clock up thousands of miles in my job as a Teesside-based photographer - being Stockton-based I’m ideally located for major transport links, often cover commercial, education and magazine photography jobs in York, Newcastle, Carlisle and Leeds all within an hour’s travel time. Although a recent commission from a client in Cardiff was fairly short notice I was very happy to make the journey, particularly as a job which was a fair distance away had come about via the client seeing my work at www.davecharnleyphotography.com  

The Teach First organisation finds, trains and supports young people to become brilliant teachers, as part of its aim to help combat educational inequality in the UK. I was hired by Teacher First’s Manchester-based media agency to take a series of shots of a teacher at Thornaby Academy in Stockton on Tees to promote the organisation through its annual report, quarterly magazine, website and online media channels.

I had a long chat with the agency beforehand so I understood exactly what look and feel they wanted from the photography. Time spent on planning is never wasted. It gives clients reassurance that I can deliver the results they want, and helps me to formulate a plan for the style of picture opportunities I’m looking for on the day. I never leave for a job without a plan in my head.

On the day I worked with a highly regarded young English teacher Laura Travis, adopting an unstaged, magazine-style approach, taking pictures in classroom and active drama environments using natural light. Her engaging teaching style clearly went down well with students, whose parents and guardians had all signed consent forms – a very important point when photographing young people.

I was careful to make good use of space on some of the images, both to let them breathe and to help designers. Having some clear space where text can be overlaid, for instance for use on websites, is really useful.   

The two and a half hour shoot generated between 60 and 70 shots, and when I dropped off my client from the agency at the railway station, she was kind enough to give me some great feedback on how the shoot had gone. I also received a very complimentary email saying how much the agency loved the pictures. 

I was pleased to see my pictures appearing on the Teach First website within a few weeks of the job, and happy to have helped to help promote this unique organisation and its fantastic work.